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  • ANCESTRAL ENERGY

    The prettiest display of pride, wisdom, honor, and purpose over just a few moments, how could I choose only one? Just radiating ancient and magnetic energy on St. Joseph’s Night.


    where i wandered:

  • THE WILD MAN COMETH

    Wild Man. Easily the most charismatic Indian of St. Joseph’s Night. Protector of his chief. Protector of his tribe. Protector of his people as he stood directly in the path of cars over and over again as they tried (and more often than not, failed) to push through the crowd.

    He is the epitome of taking up space, I loved him for it and told him so. Maybe it’s wishful thinking, but I think the pictures he gave me were his way of loving me right back.


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  • SPYBOY, SPYBOY! PT. 2

    In the fanfare and feathers of St. Joseph’s Night, it can be easy to overlook the stories being told through the suits, and the power those stories manifest in their wearer.

    The spy boy confrontation I shared in the previous post dripped with so much symbolism, and I couldn’t ignore every detail of the scene unfolding right in front of me. You need to see those details too.

    In red, white and blue is @flagboygiz of the Wild Tchoupitoulas, and the proud eagle below is @spyboy_t_77 of the Young Generation Black Feather Tribe. I assumed I was just one of many who couldn’t take my eyes off their suits and their whole vibe that radiated Black power, Black defiance, and Black vision. But when I came across Giz’s own retelling of the events depicted on his suit, I knew these two hadn’t caught my eye by chance. Giz describes his concept (much to my delight as writer at @TheAmericanBlackstory) as “the most American story I could tell,” and I insist you read it from him.

    Watching these suits and these symbols clash so beautifully and boldly right before my eyes created a much bigger picture than the men wearing them. And I felt so humbled to stand in this place seeing history unfold in fabric and real time.


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  • SPYBOY, SPYBOY!

    “My Flag Boy told your Flag Boy ‘I’m gon’ set your flag on fire’”

    All kinds of smoke and spirit was in the air on the first St. Joseph’s Night celebration in 2 years, making the sights, sounds and smells unforgettable.

    That day gave me more than I can possibly share. The pictures and stories that I can start here.


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  • THE RECLAMATION OF CONGO SQUARE

    THE RECLAMATION OF CONGO SQUARE

    St. Joseph’s Night and Super Sunday were my sole reason for this visit to New Orleans, so with a whole Saturday afternoon to myself, I went wandering. One of my many stops was Congo Square.

    On this gorgeous and rare 75-degree day, a huge wedding party posing for pictures, tons of tourists taking their own, college students lounging on the grass, and pre-teen boys who’d lost their football in a tree created vibrant little vignettes all around me, but it all seemed awfully… gentrified. I was disappointed that the only place enslaved people were once allowed to gather in New Orleans felt so modern, sterile, and quite frankly, white.

    As I continued exploring, my spirit found a bit of comfort. Someone had lovingly placed yellow roses on a relief depicting the history of Congo Square, and in the middle of the square’s biggest rosette tile circle.

    But just a few steps from Congo Square in Louis Armstrong Park, a statue in the likeness of the Black Masking Indians’ beloved Big Chief Allison “Tootie” Montana of the Yellow Pocahontas tribe had red roses at his feet. The sudden realization of their significance took my breath away. These roses were offerings to the African orishas. Yellow to symbolize Oshun’s divinity and destiny, and red for Shango, warrior orisha of lightning, thunder, fire, drums and dance.

    My historically and culturally significant evening was already leaving bread crumbs.

    When I returned the next afternoon for the Congo Square Preservation Society’s reproduction of our ancestors’ weekly Sunday drum circle tradition, the Square had a little more color, but rhythmless tourists interfered with the sense of community I expected, and I slowly edged my way out in search of more authenticity.

    Just before I turned away, a stark white flash caught my eye, signaling the arrival of the most captivating African goddess. She stomped into the circle moving to her own rhythm, and beautifully disrupting the whole scene. The other “dancers” cleared away from her orbit inside the drums and the crowd, as she absolutely lost herself in the beat. At least 5 minutes passed as each and every bystander became utterly smitten and totally transfixed by her. Then almost as quickly as she’d appeared, she and two companions (or should I call them attendants?) who looked on with the rest of the crowd, vanished back into the city.

    Saturday’s yellow and red rose offerings had been cleared by Sunday, but there’s no doubt in my mind that they’d done their work.


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  • THE MONARCHS OF GOVERNOR NICHOLLS

    Allow me the pleasure of introducing Youngblood and his wife, my King and Queen of the 6th Ward – NOT Treme, because “that’s what THEY call it, but tuh us… THIS THE SIXT WOAD.” I’m certain they’re the most charming pair in New Orleans, and I was graced with their presence as I recovered from St. Joseph’s Day’s revelry.

    When I finally ventured out of the house for a Sunday afternoon walk to the Congo Square drum circle, I spotted these two sitting across from my neighbor. I was immediately and entirely amused by the whole scene because I’d already met this neighbor the day before. She and a totally different duo had chatted me up, and congratulated me on picking the perfect place to watch the Indians come out on St. Joseph’s Day, because one of them – whose suit I’d already spotted laid out in his backyard – lived right up the street. Those ladies told no lies. That spot on the corner of Governor Nicholls and Henriette Delille gave me everything I could have wanted from the Indians, the rest of the city’s natives, and the whole neighborhood. I’d intended just a brief stop to say hello and show respect to this new round of elders, but 88-year-old Papa Youngblood offered me an empty seat among their trio… and a beer. Despite my plans, I knew better than to walk away from this wellspring.

    I took the seat, but graciously declined the beer in favor of the Smart Water I carried with me like a responsible adult since I’d indulged plenty the night before. (But tbh, it was an easy choice since they only had Bud Light and Miller Lite, because as Papa Youngblood explained, “we livin’ the High Life, behbeh.”)

    Instead, I was bullied by the elderly as all three of them scolded me for putting water on top of alcohol. So I accepted the beer, and kept on listening. Auntie Neighbor took a phone call, but to my delight, Papa Youngblood and his wife just kept on talking.

    Oh, what a gift they gave me, rattling off tales from when the street we sat on was a dirt road and reminding me to pay attention to how the street signs might have one name, but the street names paved into the corners had another. (Henriette Delille was once St. Claude.) The two traded tidbits of local Black history with me, as Youngblood explained that he’d played in the second line brass band for New Orleans’ first social aid and pleasure club, and his wife interjected that her mother was the first woman to lead that club. They laughed together as they brought the story right back around to the corner we were sitting on. It was tradition now, they said, for all of the second lines marching through the 6th Ward to stop right there on Governor Nicholls and Henriette Delille, and no matter what they’re playing when they arrive, or how many kids are around, everybody breaks out into “I Got A Big Fat Woman,” in honor of Papa Youngblood & his second line legacy. In gratitude for the second line’s offering, “he like to get up and roll his big ol’ belly,” his wife cackled.

    Listen to the Treme Brass Band’s version of “I Got a Big Fat Woman”

    But an oral history of New Orleans wasn’t all they had to share. Auntie Wife absolutely roasted Papa Youngblood and told me all about how “the next time he fall, [she] gon’ leave his ass there.” Of course, she got her turn getting told on, too. Their nephew, my neighbor’s son, passed through our gauntlet and ratted about how Auntie always says she doesn’t want anything from the store, but he “know damn well not to come back heah without her Snickuhs, and not the reglur one, but the big one with two in the wrappuh.” She cackled again as she proudly proclaimed that she was gonna eat both of ‘em too, even though they’d make her stomach hurt.

    After an hour of conversation breezed by and the beer I was given long gone, I humbly took my leave for more New Orleans love affairs. I just hope these two know how much of my heart I left behind.


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  • UNKNOWN TO WHOM?

    One influence on my decision to say in Treme was its proximity to a number of small, but tremendously historic African-American landmarks that I hadn’t visited before, like the St. Augustine Catholic Church, which is the oldest Black Catholic parish in the United States and site of the Tomb of the Unknown Slave.

    As the St. Joseph’s revelry began to disperse for different parts of the city, I noticed a man kneeling at the foot of the monument, writing on a brick that had fallen away from its enclosure. I stood too far away to read over his shoulder though, and take pride in minding the business that pays me.

    HOWEVER, calling myself curious would be an understatement (please do not say the words “I wonder” in my presence unless you’re ready to find out), so I absolutely returned later to read the message he’d left. I was so touched that I decided to photograph the Tomb of the Unknown Slave right then, instead of waiting for daylight.

    Scrawled atop the brick in chalk were the words, “God know him.”


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  • (OB)SCENERY

    Doin’ it for the ‘gram, but also hiding @ashleylongshoreart‘s (ob)scenery behind pretty pictures bc my Mama ain’t gotta see all this 💀


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  • SPIRITS & STORIES

    This place was once St. Joseph’s Institute, St. Elizabeth’s Orphanage for Girls, Mother Anne’s home, and refuge to her Mayfairs.

    Here for all the spirits and stories intertwined on the corner of Napoleon & Prytania at the witching hour.


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  • FOOD BABY

    “Alexa, play ‘My Big Ol’ Fat Baby Loves to Eat’”


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